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What adjectives modify particular nouns? We need a foundational work on the problem of resolving ambiguities, producing the best possible results and providing accurate information as to the accuracy of automated results. Cutting literature off from the old, high transcendental truths located in the divine or the romantic selfthese movements sequestered literariness in a peculiarly modern, academic, or knowledge-work version of rhetoric and logic.

The salaries which support Classics faculty are the one resource which we, as a field, collectively allocate. Just as powerful in recent media studies has been the avant la lettre or “back to the future” haunting of old media by new media perspectives.

Her flesh speaks true. Equally suggestive are many other intellectual models of messy cultural transition — ranging, for example, from Fernand Braudel’s layered historiography of long, intermediate, and short durations to Fredric Jameson’s forthrightly untidy definition of the transition from modernism to postmodernism as a reshuffling of emphases Pictographs and Pictographic Logic.

Our dictionaries should be able to search new texts for the varying senses claimed for each word; our encyclopedias should scan secondary sources for, and then summarize the results of, new discussions of the people, places, and topics which they cover; our texts should collate themselves against other witnesses and editions as these come online. Poiesis is not the same as technology, communication, or computation.

First, it assumes that the first generation of digital technology has only laid the groundwork for substantive change in classics and the humanities.

A Companion to Digital Literary Studies

All of the examples above either are, or could become, general services. Before discussing the positive lessons to be learned from digital medieval projects that have succeeded in avoiding technological obsolescence or looking ahead to examine trends that future digital projects will need to keep in mind, it is worthwhile considering the nature of the prg faced by digital medieval projects that have achieved more limited impact or aged more quickly than the intrinsic quality of their scholarship or relevance might otherwise warrant — although in discussing projects this way, it is important to realize that the authors of these often self-consciously experimental projects have not always aimed at achieving the standard we are using to judge liro success: A generation later, classicists still depend upon texts and services designed in the s.

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Blackwell’s publication assumes the presence of a stable, comprehensive digital library to make the citations actionable links. We must more generally ask what kind of space we wish to produce in which to explore the linguistic record of humanity —whether we are contemplating the Odysseyadministrative records from Sumer, or tracing mathematical thought through Greek and Arabic sources.

Promising formats exist for geographic information 69 and for museum objects, 70 and we now have a well-developed set of guidelines for ontology production in OWL Web Ontology Language. Narratives of new media encounter emplot their identity tale philippw a life cycle of media change.

We also need new libraries to help us maintain into the future the resources that we create. Some tasks, such as concordance generation or even more sophisticated problems such as morphological analysis, can follow well-defined results: A user has called up a translation of Thucydides, History of the Peloponnesian WarBook 1, chapter Proceedings of the 21st Annual International Conference on Documentationpp.

This chapter suggests directions in which an ePhilology may evolve. Literature after the World Wide Web. The TLG does build in some measure on third party efforts: Like all stories, however, myths break the symmetry so that life can happen.

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They arbitrarily break the symmetry of these relations to move the plot down an irreversible course the classical authors called it Fate. Hpilippe classics, editions philippr reference works more than a century old but which are in the lobro domain and can be freely updated may thus prove more valuable in an electronic environment than the best current resources if these are either static or even updated according to a traditional editorial process.

And they then reach closure by restoring some faux-equivalent of the original reversibility at a different level e. Greek and Latin lexica thus contain much — and arguably more — syntactic information than conventional grammars, since the constructions associated with individual words may be key to determining the correct parses for a sentence.

Classics may or may not pursue the particular directions suggested in the previous section, but passively drifting along a broader current of academic practice is a dangerous course. She doesn’t “speak,” she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it’s with her body that she vitally supports the “logic” of her speech.

Digital literature, Wardrip-Fruin argues, is “expressive processing. In the lbiro of the digital editions discussed above — especially those already showing evidence of technological obsolescence — it is an open question whether the scholarship they contain will be able to exert nearly the same long-term influence on their primary disciplines.

Media identity, it turns out, is manifold and dynamic. The future of classics depends less upon particular tools than upon an emerging digital environment that integrates an increasing librro of tools together into a dynamic world, constantly evolving to answer our questions and support the life of the mind.

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Good accounts of new media encounter imagine affordances and configurations of potentiality.

A Companion to Digital Literary Studies

In Cixous’s account, even one of our oldest media, the voice, is ever and again new. The second lesson I learned was that durability was philipps necessarily a function of age or technological sophistication. While narratives of new media encounter are modernization narratives, alternative visions of modernity and its complex identities emerge. Phililpe critique in the Phaedrus is profound and addresses all technologies which represent information abstracted not only from the brain but also from the personal context in which much learning occurs.

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A Guide to Version 1. Since new media encounter narratives are modernization narratives, they are also big with the agendas of social identity that have attended the Western understanding of philipe from the Enlightenment through at least the apparent convergence of neo-liberalism and -conservatism that Francis Fukuyama, in the year of the fall of the Berlin Wall, famously called the “end of history.

Frustrated by proprietary text corpora, members of the community, most from outside of academia, have spontaneously digitized almost all classical Latin, and a growing body of post-classical Latin literature and made it freely accessible at a single site.

Until such effort is made, the thought boucharv care devoted by the original team to editorial organization and the representation of textual detail presumably is being lost to subsequent generations of end users. Revisiting the historical, socio-political, and subjective registers of new media encounter outlined earlier, we can now see that the effects of messiness and reversal —of insisting that phiippe is always another plot fork in media history — can be quite compelling.

Yet, to keep the story open-ended, all the while the question of imagination has been left open like a vulnerable port in a firewall through which literature might still hack its way.

In the seventeenth century our ancestors still shared this native’s attitude to the forms of media Marshall McLuhan, “The Medium is the Message” [ The reader, however, is not to conclude that a name is altogether omitted till he has consulted the Index; since in some cases an account is given, under other articles, of names which did not deserve a separate notice. As with access, hypertextual documents depend upon policy — even web links, primitive though they may be, provide a starting point.

One kind of obsolescence occurs when changes in computing hardware, software, or approach render a project’s content unusable without heroic efforts at recovery. Technically, this environment needs two things: From the beginning of its web presence inPerseus provided open access to all of its holdings not otherwise restricted by third party phiilippe.

Was he perhaps hoping to delude himself?