Caggiati, Colorno, Italy. likes. Matthews International Martiri della Libertà, 71 – Colorno Parma +39 Fax + Upload a PDF or design from scratch flyers, magazines, books and more. Author: iof boschetto, Catalog: Catalogo monumenti Caggiati parte 2, Published: Sep. Catalogo monumenti Caggiati parte 7. Published on Sep 19, Catalogo monumenti Caggiati parte 6. Published on Sep 19, Catalogo monumenti.

Author: Maujora Vudojin
Country: Nepal
Language: English (Spanish)
Genre: Business
Published (Last): 20 April 2006
Pages: 41
PDF File Size: 4.63 Mb
ePub File Size: 19.48 Mb
ISBN: 967-6-50509-892-7
Downloads: 18956
Price: Free* [*Free Regsitration Required]
Uploader: Meztihn

The image that accompanies the installation evokes the intrinsic meanings of each object and helps to recall the sensations that the project conveys. The square supporting columns act as a mobile display pedestal for the urns. The object, completely in stainless steel, is made up of three curved metal plates mounted on runners, allowing them to slide horizontally in order to freely set their length.

The system is modulated on a single vertical element of one size which, when appropriately arranged, assumes a different appearance. The broken objects reveal a precious and unexpected soul, which enhances, by contrast, the dark outer appearance.

There are two colour variations: The wavy surface accommodates the lamp and the single-stem vase. In this case, the two objects that make up the composition, the thin branches in the background and those in the foreground, merge into one single, expressive band of catslogo that redesign in a minimalist key a phytomorphic vine-like figure. The forms are mechanically locked in the final position of balance. The transparent glass body with its sober, linear form encloses a supple white object, which recalls the shape of traditional urns.

The shelf elements, in blue Corian, are shaped and smoothed into gentle forms. The two spaces of the infinity sign act as two functional areas; one houses the urn itself, while the other is for the floral decoration that perpetuates life and loving memory. This project interprets infinity as a mark of spatial and visual continuity catakogo, in turn, encloses two distinct spaces created by distorting the curved lines of the material. The piece is made in solid PMMA which has been polished to create the effect of the refraction of light inside the material.

  EISENBAHN JOURNAL SONDERAUSGABE PDF

It is made in stainless steel, subsequently cold-set in the niche created on the front of the cube.

The perfectly transparent material in PMMA encloses an elegant form created through a sophisticated process of milling on different planes. A complete form is broken up yet remains locked inside a timeless interlude. The items, lamp and vase, are made in extra-thick bronzed catgiati, subsequently hand-worked to create the contrasting surfaces – opaque and rough for the outer parts and smooth and sparkling for the sections.

The ancient symbol of infinity dates back to the romantic period. In this project the marks left by time in turn become graphic signs of discontinuity and the rhythm of the horizontal element. The composition of the objects is based on a principle that is unrelated to the traditional way of arranging flowers and lighting. The project is the visible result of a desire to profoundly change the product system relating to commemoration and commemorative ornaments.

In this project nature regains possession, in an aesthetic and controlled manner, of the human artefact. Features two specular figures for left and right mounting. The caggiatu drinks from the fountain of life and conveys the sense of the perpetuation of life and the renewal of the earthly experience. The natural image of the outer forms reveals a heart of ancestral power, almost as if it were made of cwggiati melted by the gravitational forces concentrated within the core of the rocks themselves.

The internal form, in PMMA, acts as a container, while the steel covering is purely decorative. The display system was created to render the design aspect of each element clear and interesting.

The transparent element is supported by a component in polished stainless steel super mirror that fixes it against the wall. The resulting block is unique, solid and ethereal. Behind the plates is an area for lighting and flowers.

The black element delicately welcomes renewed life. The project interprets the phenomenon of the decaying of the skin of solids while capturing the aesthetic and dynamic qualities.

  KATHRYN KUHLMAN SU BIOGRAFIA ESPIRITUAL PDF

The breath soffio is a metaphor for the flowing of life, ephemeral but of great plastic beauty. The entire object may be mounted on the left or on the right by simply inverting the back part. The cahgiati construction cagguati the objects sturdy and durable. Three overlapping plates move like stage wings and create a rhythm of lights, shadows and varying depths. The forms are modelled by the forces of nature and refer to the image of rocks shaped over time by the flowing of the waves of a river.

The atmosphere that is released is ethereal and impalpable.

BRONZE LETTERING – Caggiati

The bird delicately quenches its thirst at the vital source, cagiati continuity to the natural cycle of existence. Vegetation, with its constant and silent growth, accompanies the flow of time. The metal design is applied to the urn with an engraving technique. The ribbon unfurls and winds under the force of an imaginary wind and its figure dynamically crosses upwards with increasing power the entire available space from left to right.

Categoria: Non categorizzato

Lightness and suspension are the themes of the project Anima. The project is a plastic metaphor. Headquarters and Executive Offices: The identification plaque is made with a wavy design that follows the profile of the urn.

The Italian company Matthews International SpA, world leader in the study, development and production of decorative and commemorative items presents cafalogo six collections of its new brand Caggiati Design during an event in the capital of design. Beneath the steel screen is a pure, shiny white form.

The piece is adjustable in length by sliding its various parts into each other.